Eurovision champion Nemo claims 'best single' for 'The Code' and 'best solo act' at Swiss Music Awards, while Patent Ochsner wins 'best band' category at Zurich ceremony.
"Competing against Patent Ochsner is like playing football against the Brazilian national team: winning is not impossible, but very unlikely."
"The award was like a declaration of love."
Fresh from a historic Eurovision triumph, Nemo has officially conquered the domestic stage, seizing two major trophies at Wednesday night's Swiss Music Awards in Zurich. In a display of undeniable dominance, the Biel-born artist converted four nominations into two decisive victories, claiming the prestigious titles of "Best Solo Act" and "Best Single" for the chart-topping anthem The Code. This double victory signals a definitive shift in the Swiss cultural landscape, crowning a year where Nemo has transcended local fame to become a global phenomenon.
The atmosphere in Zurich was electric as Nemo accepted the hardware, cementing a legacy that now spans from MalmĂś to the Hallenstadion. While the artist missed out on a clean sweep of all four nominations, the weight of these two specific accoladesâhonoring both individual artistry and song compositionâunderscores the sheer impact of The Code. This isn't just a win for Nemo; it is a validation of bold, genre-bending artistry that has resonated powerfully with the Swiss public.
In the night's most stunning twist, Dabu Fantastic snatched the "Best Live Act" title from the grasp of heavy favorites Patent Ochsner. The victory defies the odds in a category typically dominated by established rock giants. The duo themselves seemed visibly shaken by the result, having previously dismissed their chances with a striking sports analogy. "Competing against Patent Ochsner is like playing football against the Brazilian national team: winning is not impossible, but very unlikely," they admitted prior to the ceremony.
This upset represents a seismic shift in the live music hierarchy. While Patent Ochsner remains a titan of the industry, Dabu Fantastic's triumph suggests that voters and fans are hungry for alternative energy on stage. Beating a band that is often considered the "Brazilian national team" of Swiss rock is no small featâit is a career-defining moment that elevates Dabu Fantastic from popular contenders to undisputed heavyweight champions of the live circuit.
Despite the upset in the live category, veteran rockers Patent Ochsner proved their enduring supremacy by securing the coveted "Best Band" award. This victory reaffirms their position as the backbone of the Swiss music scene, a status they have maintained for decades. Frontman BĂźne Huber, never one to mince words, described the accolade with touching sincerity, telling reporters the award felt "like a declaration of love" from the Swiss public.
The Bern-based group's win provides a crucial counterweight to the evening's newer successes. In an industry increasingly obsessed with viral trends and fleeting moments, Patent Ochsner's victory demonstrates that deep-rooted musical legacy and consistent quality still command immense respect. They may have lost the live battle to Dabu Fantastic, but by taking home the title of the country's best band, they have arguably won the war for Switzerland's musical soul.
The Swiss Music Awards distributed honors across a staggering 14 categories, highlighting a distinct evolution in how musical success is measured in 2025. The ceremony explicitly honored artists who have generated significant traction not just on traditional stages, but across streaming platforms and social media networks. This modern approach levels the playing field, allowing viral sensations to stand shoulder-to-shoulder with touring veterans.
By dividing prizes into national and international brackets, the awards acknowledged Switzerland's dual role as a cultivator of local talent and a consumer of global hits. The recognition of digital impact is no longer a niche sidebar; it is central to the industry's prestige. As the confetti settles in Zurich, the message is clear: the Swiss music industry is rapidly adapting to a digital-first reality, rewarding those who can capture attention in the infinite scroll as effectively as they do in the concert hall.