Switzerland's prestigious Locarno Film Festival reveals ambitious program featuring 99 world premieres and strong focus on relationship themes
"It is clear that many films deal with the theme of relationships. Many highlight conflicts."
"We wanted to structure the programme in such a way that in 30 yearsâ time we could say that the festival was up to date."
Locarno78 is set to dominate the cultural calendar this August, announcing a staggering slate of 221 films that promises to turn the canton of Ticino into the epicenter of global cinema. From August 6 to 16, the festival will showcase an ambitious program that refuses to play it safe. The sheer volume is impressive, comprising 150 feature films, 70 shorts, and a TV series, but the real story lies in the exclusivity: a massive 99 films will celebrate their world premieres in Switzerland.
The press conference, held at the avant-garde LUMA Westbau in Zurich, signaled a festival that is both grounded in tradition and aggressively forward-looking. Under the presidency of Maja Hoffmann, the event continues to assert its dominance as a premier European platform for auteur cinema. While other festivals recycle hits, Locarno is generating them. The scale of this year's offering ensures that for ten days, the eyes of the film world will be firmly locked on Piazza Grande.
The race for the prestigious Golden Leopard is wide open, with 17 films entering the arenaâand every single one of them is a world premiere. This is a bold declaration of confidence in fresh, unseen voices. Leading the charge for the host nation is Neuchâtel-born director Fabrice Aragno with his latest work, Le Lac. Aragno, known for his visual poetry, carries the hopes of Swiss cinema in a competition that is notoriously fierce and international.
The selection committee has curated a battleground of aesthetics and narratives. By insisting on world premieres for the main competition, Locarno separates itself from the festival circuit's echo chamber. The inclusion of Le Lac places Swiss artistry directly in the spotlight, challenging domestic filmmakers to stand toe-to-toe with the best global talent. The stakes are high, and the anticipation for Aragno's visual language is palpable among critics and cinephiles alike.
The festival will ignite on the iconic Piazza Grande with the world premiere of Le Pays dâArto. Directed by Tamara Stepanyan, this French-Armenian co-production has been chosen to set the tone for the entire event. The Piazza Grande, one of the worldâs largest open-air screening venues, demands cinema that is both intimate and grandiose, and Stepanyanâs work is poised to meet that challenge head-on.
Selecting a co-production to launch the festivities underscores Locarno's commitment to cross-border storytelling. As thousands of viewers gather under the stars, the screening serves as more than just a movie; it is a ritual. The choice of Le Pays dâArto signals a move away from purely commercial blockbusters toward cinema that bridges cultures, fitting perfectly with the festival's reputation for intellectual rigor mixed with public celebration.
Artistic Director Giona A. Nazzaro is not interested in easy entertainment; he is curating for history. "It is clear that many films deal with the theme of relationships," Nazzaro stated, noting that the program heavily highlights human conflict. This thematic thread weaves through the 221 films, presenting a mirror to a fractured world. The selection is designed to be timeless, with Nazzaro aiming for a lineup that will still be considered "up to date" in 30 years.
This focus on relationshipsâfractured, intense, and evolvingâsuggests a festival that is deeply engaged with the human condition rather than fleeting trends. By prioritizing films that grapple with interpersonal and societal friction, Locarno78 is positioning itself as a critical forum for dialogue. The festival is betting that in an era of digital disconnection, audiences are starving for stories that dissect the raw, often painful reality of how we relate to one another.